![]() ![]() ![]() ![]() In the movie Maria Full of Grace, the director represents a variety of shots to describe how various and terrible the processes of immigration for people can be: a full shot when the biker is moving along the street introduces the distance that is between the main character and this young man, and how slowly this distance becomes shorter because of current conditions a middle shot in the same scene when Maria looks at the biker and realizes that she has the way out of her problems a l ong shot may be observed in the plane when stewardesses serve the clients (the idea that they are responsible for immigrants around) a deep focus shot when the officer checks Maria (ability to observe people at the background, officer’s tool, and Maria’s frightened eyes) and a close-up shot of the drug when the dealer give the one to Maria attracts the attention to the object that plays an important role in the whole movie extreme long shots and extreme close-up shots are not used by the director because this movies touches upon one particular story and issue, and there is no necessity to represent panoramas and close-ups. Maria Full of Grace is directed by Joshua Marston with Catalina Sandino Moreno and John Alex Toro starring. ![]()
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